Singing round the table: vocalized wayang and gamelan in Jemblung and Purwacarita

Yono Sukarno

This article introduces jemblung (also called purwacarita), a rare Banyumas vocal theater form in which performers recreate wayang and gamelan entirely with their voices while seated around a food-laden table. Yono Sukarno recalls first encountering jemblung in his youth in a Javanese transmigrant village, where the uncanny illusion of a full gamelan from human voices amazed audiences. Later fieldwork with Jack Body traced jemblung’s roots to macapat verse recitation and links with ketoprak storytelling, as well as its role in religious and folk narratives such as Panji, Menak, and Islamic tales. Variants like menthiet, a simpler one- or two-man vocal storytelling style, suggest an earlier form preceding jemblung’s “vocal gamelan” innovation. The tradition emerges as both entertainment and a vehicle of dakwah (evangelism), balancing humor, improvisation, and spiritual purpose.

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Issue: Vol.6 1998